Showing posts with label Cinema. Show all posts
Showing posts with label Cinema. Show all posts

Sunday, 1 March 2015

Noteworthy Films of 2014: The Wind Rises


2014 proved to be a turbulent and worrying time for Studio Ghibli. Miyazaki’s “official” retirement,  and the studio’s announcement of radical in-house changes prompted fans to fear the worst. Yet it was a relatively busy period for Ghibli with the releases of The Tale of Princess Kaguya and The Wind Rises in the west and the unfortunately disappointing When Marnie Was Here in Japan. Being a massive fan of their work, it was slightly shocking to read the headlines so soon after their recent accession to the global limelight. It’s therefore fortunate that Miyazaki’s long, acclaimed career ends on a distinguished high with The Wind Rises. 

A story of perseverance, drama and romance amidst pre-war Japan, The Wind Rises continues Ghibli’s more realistic and grounded approach to it’s narratives. While definitely more light-hearted than Grave of the Fireflies, The Wind Rises still touches on some very mature themes even with it’s undercurrent of humour and tenderness. While it avoids to really delve into the heavy themes of war as Japanese cinema tends to do (my article), and constitutes more of a fictionalised version of Jiro Horikoshi’ s career in Japanese military aviation, the story is a thought-provoking and genuinely poignant one. 

The flowing and dynamic nature of the studio’s iconic animation style is present as always. With the aeronautical nature of the story, the sense of speed and fragility as prototype aircraft tear the skies is exhilarating and gorgeous to watch. Body language and interactions are intricately depicted giving vast amounts of personality to the characters and film in general. As with all their previous films it’s the small details that really add uniqueness to Ghibli’s work. Whether it’s their careful attention to a bookcase in the background or the light glistening off the sea, their pursuit for perfection is evident. As too is Joe Hisaishi’s impassioned score. 

Apart from a rather rushed conclusion, The Wind Rises is a touching and beautiful piece of cinema.   With a career spanning 5 decades, Hayao Miyazaki has continued to deliver heart-warming and enchanting stories and characters to fans of animation and general cinema. I have a sneaky suspicion that this won’t necessarily be the last we see from him, but looking back it’s been an esteemed career that will entertain and captivate children and audiences forever. 


Sunday, 15 February 2015

The Long Awaited Update

Since moving to Japan my cinema-going days have been drastically cut to the point where I rarely have the opportunity to watch the latest releases. My love and passion for film still remains and I regularly keep up to date with regards to the news in the industry and upcoming features. But I’m afraid to say that my fortnightly cinema days are over. You may have also noticed that I have failed to write anything for the blog in nearly a year. As you can imagine, my new job and life in Japan have become the centre of my attention. It’s a shame because I love to write and talk about cinema. 

However, as a result of settling into my employment and my current situation, I have decided to return to the world of “blogging”, in a somewhat smaller sense. I will therefore be trying to update on a semi-regular basis with mini-reviews and mini-features. The first will be a series on “noteworthy” films of 2014 that I managed to watch. Obviously with the lack of access to the front-runners and nominees of Award Season, the list won’t be a comprehensive one but will cover some of the more major releases.

As an example of my recent decline in “cinema-visiting” form, here is a list of films that I desperately want to watch, but with Japanese releases and the extortionate price of media it’s proving to be rather difficult: 

Foxcatcher  
Birdman 
Whiplash 
Selma 
Ida 
Two Days, One Night
Inherent Vice
The Babadook 
A Most Violent Year 
Locke
Boyhood 
Snowpiercer 


Hopefully I’ll be able to catch them in the near future, but for the time I’ll have to suffice with what is readily available and obviously what I've already seen.

Best regards, 


Jack Singleton