Showing posts with label Benedict Cumberbatch. Show all posts
Showing posts with label Benedict Cumberbatch. Show all posts

Sunday, 5 February 2017

My Thoughts on Doctor Strange


Doctor Strange was just released in Japan, three months after its US release. However it’s the first Marvel film of the last couple of years that I haven’t rushed to the cinema to watch. In fact, I didn’t necessarily want to see it in the first place because of my lack of interest in the character. 

Until now Marvel had avoided the concept of magic in its cinematic universe. Scarlet Witch’s lack of “chaos magic” being a clear example. Instead Doctor Strange immediately showcases the unique approach to sorcery and wizardry during the opening scenes as The Ancient One battles Kaecilius and his forces. Put simply, the film looks and sounds fantastic. Strange’s introduction into the astral plane and dimensional shifts is a dazzling acid trip of colours, shapes and animations. The dizzying New York fight sequence between Strange, Mordo and Kaecilius is almost too hectic. I actually found myself briefly looking away from the screen in order to refocus. It’s an impressive set of action sequences that contrasts well with the franchise’s typical use of explosions and fistfights. My only issue is that while the environments and the effects are spectacular, the character models dancing around these kaleidoscopic set-pieces aren’t as polished. 

Story-wise, for the Marvel Universe to include Doctor Strange it was definitely justified in creating an origin film for such a unique character. We see Strange’s progression and transformation from the arrogant neurosurgeon to “Master of the Mystic Arts”. In fact the film wastes little time in showing Strange’s growth as an individual. One minute he’s struggling to use his hands, the next he’s surpassing his mentors and teachers. The film also does a good job at hinting at the grander scale and scope of Strange’s world. A multitude of dimensions, time manipulation, and the global nature of the Sanctums create a character, property and the basis for a plethora of interesting opportunities and situations in the future. 

But for all the film tries to differentiate itself from it’s Marvel counterparts, it still follows the typical narrative progression of any traditional superhero film. And with that comes a lot of the same, reoccurring problems. The most disappointing being the villain. Marvel yet again squanders the opportunity to present a villain of note. Mads Mikkelsen is one of my favourite actors and very capable of playing captivating foes. The problem lies in creating a balance between developing the protagonist and the antagonist, which the very nature of an “origin story” restricts. The story’s focus is purely on Strange, and Mikkelsen’s motivations and character are thus largely relegated to exposition and incoherent babble. In fact by the end of the film, his character withers away in the background in order to introduce the real villain Dormammu, who is equally trivialised in the last 10 minutes. With a wealth of villains in it’s universe, its frustrating and worrying that Marvel can’t seem to forge a character with any lingering danger or presence. 

In regards to the titular character, Benedict Cumberbatch certainly looks the part and he can wave his arms in a convincing manner. At times while the script falters and so too does his accent, his charisma proves just enough to create an engaging character. But I’m still not convinced that he is an actor worthy of his popularity or high esteem.  Meanwhile, Tilda Swinton and Chiwetel Ejiofor are great in their supporting roles, but Rachel McAdams is left by the wayside to question her own function in the film.

For me, Dr Strange wasn’t the evolutionary step in the Marvel franchise many critics have deemed it to be. Don’t get me wrong, it’s an enjoyable film with fantastic visuals. But it lacks a certain narrative charm or individualism that feels necessary with the character and the property. If Strange is indeed part of the next Avengers instalment, then I’ll be interested to see how they frame him with the likes of Hawkeye and Captain America. With a character so omnipotent, it seems pretty laughable to have him levitating next to a purple-dressed archer.

Monday, 13 May 2013

RespawningCouch Podcast: Audio Review: Star Trek Into Darkness (Spoiler Free)



This week I review J.J. Abrams' sequel to the successful Star Trek (2009) reboot. Does it continue to do justice to the long-standing and much beloved franchise? Or is it blinded by the lens flare?


Sunday, 18 September 2011

Tinker, Tailor, Soldier, Spy Review


Tinker, Tailor, Soldier, Spy  

Strangely for a British-based, potentially award-winning film, Tinker, Tailor, Soldier, Spy had a rather lack-lustre build up. While it picked up near its release, few trailers and little media attention had resulted in the film slipping under the ‘radar’. However when reviews began to emerge, ‘amazing’ ‘brilliant’ and ‘spectacular’ were terms plastered onto every poster, TV spot and film article. The ‘prediction’ of a BAFTA winner became apparent, thus an intrigue was inevitable. Originally a novel by John le Carré, it was adapted into a BBC television series in 1979 starring Alec Guinness. Having not read the book or watched the series, it was interesting to see Tomas Alfredson condense a seven-part show into 2 hours. Known for his direction of 2008’s Let the Right One In, Alfredson has had a relatively sparse filmography and has tended to stick to Swedish film-making. Therefore with a star-studded British cast, and a very British story, how would he manage?

The plot follows a number of officials from the British Intelligence Service as rumour spreads of a ‘mole’ leaking information to the Soviets. George Smiley (Gary Oldman) is taken out of ‘retirement’ and is tasked with finding the double agent among four primary candidates; Bill Haydon (Colin Firth), Percy Alleline (Toby Jones), Roy Bland (Ciaran Hinds) and Toby Esterhase (David Dencik). On first glance, the film’s plot seems simple, however after witnessing a botched operation in Budapest and a ‘setup’ in Turkey, its an engrossing and quite complex narrative. Many will find the story a bit hard to follow as it skips back and forth between time slots, but nothing that really impedes the film. However the film’s pacing is a bit all over the place. A long-winded intro sequence/ montage of Gary Oldman being silent in different locations gets tiresome. And when he finally speaks, it fails to match the build up. The overuse of long, drawn out shots of people sitting and ‘first-person’ perspectives from files, slow the film’s pace and become tedious. Thankfully by the end of the film Alfredson nails everything, creating tense and dramatic sequences and a very fine and satisfying last note.
Acting-wise, Tinker, Tailor, Soldier, Spy has a fantastic cast that definitely showcases British performances from established actors and up-and-coming ones. Benedict Cumberbatch puts in a superb performance as Peter Guillam. His amazing voice and energetic screen presence create a sophisticated and memorable character. Tom Hardy also puts in a stellar performance as Ricky Tarr, whilst Mark Strong is brilliant as usual. However Gary Oldman’s performance is the one that has grabbed the media’s attention. His portrayal of Mr Smiley’s lonely, muted personality is nothing special. But during the course of the film, through dramatic and fierce dialogue confrontations, his character comes into his own. However with such a big cast, the likes of Stephen Graham and Ciarán Hinds seem underplayed. While I recognise that condensing a seven-part series inevitably results in the omission of scenes and a immediacy to events and characters, why cast lead actors? Hinds doesn’t say anything in the entire film, while Graham has a few scenes but little dialogue, neither really showing their talents. It’s disappointing but understandable. 
The film’s look and feel is fantastic in its recreation of the 1970s. From the cars, fashion and general aesthetic, its an immersive experience that feels very stylish and slick. On the other hand, the soundtrack is somewhat confusing from Alberto Iglesias. Jazzy and classical notes scream the era and match the somber yet chilling visuals. However Mediterranean guitars don’t correspond to the rainy, grey vistas of London. The choice of Julio Inglesias’s cover of Charles Trénet's “La Mer” is a bizarre one that doesn’t suit the film’s captivating ending. 
Overall Tinker, Tailor, Soldier, Spy is very good film, however is slightly disappointing when compared to the critical ‘hype’ the film has gained. Great performances, stunning production values, and a gripping story result in an enjoyable experience. While it isn’t the “powerhouse“ or “masterpiece” that many have stated, it’s a fine effort by Tomas Alfredson and is one that’s up there as one of 2011’s best. Definitely Recommended after a “Summer of Blockbuster Shlock”.
8/10